ITINERARY PERJALANAN UMROH PLUS ISTANBUL+BURSA 13 hari

saco-indonesia.com, Di babak kedua Kejuaraan Catur Kontinental Asia Piala Manny Pacquiao 2013, Minggu (19/5/2013) di Pasay City, Manila, Filipina, tiga pecatur remaja putri Indonesia berjaya.

MANILA, Saco- Indonesia.com — Di babak kedua Kejuaraan Catur Kontinental Asia Piala Manny Pacquiao 2013, Minggu (19/5/2013) di Pasay City, Manila, Filipina, tiga pecatur remaja putri Indonesia berjaya. WFM Dewi Ardiani Anastasia Citra (19), Nadya Anggraeni Mukmin (17), dan WFM Dita Karenza (13) masing-masing mendapat satu poin setelah mengalahkan lawan-lawannya.

Citra yang memiliki rating 2155 itu mengalahkan Sharmin Shirin Sultana (2005) dari Banglades. Lawan Citra memang memiliki rating lebih rendah dan belum memiliki gelar. Citra memang lebih diunggulkan di babak kedua ini. Yang juga menggembirakan, Nadya (1854) berhasil mengalahkan WIM Bernadette Galas dari Filipina yang memiliki rating lebih tinggi, 2045.

Adapun Dita (1821) menaklukkan Jedara Docena (2019) dari Filipina. Citra, Nadya, dan Dita kalah di babak pertama, Sabtu lalu. Ada enam pecatur putri yang diberangkatkan ke kejuaraan ini. Tiga yang lain adalah WIM Medina Warda Aulia, WIM Chelsie Monica Sihite, dan Yemi Jelsen. Sayang, ketiganya kalah di babak kedua ini.

Medina dan Yemi juga kalah di babak pertama, tapi Chelsie menang. Itu berarti, empat dari enam pecatur putri mengantongi satu poin dalam dua babak ini. Adapun dua pecatur lain masih nol. Masih ada tujuh babak yang harus dimainkan. Kesempatan masih terbuka luas untuk menambah poin.

Di bagian putra, lima pecatur menuai hasil remis. Satu pecatur menang, yakni Hamdani Rudin. Adapun pecatur yang kalah adalah Yoseph Theolifus Taher. Berikut daftarnya: 1. Yoseph Theolifus Taher (0) kalah dari GM John Paul Gomez (2511) dari Filipina; 2. IM Farid Firman Syah (2369) remis versus GM Krishnan Sasikiran (2669) dari India; 3. GM Susanto Megaranto (2531) remis melawan Bai Jinshi (2369) dari China; 4. Masruri Rahman (2165) menahan imbang IM Kirill Kuderinov (2442) dari Kazakhstan; 5. Mohamad Ervan (2162) remis melawan FM Gombosuren Munkhgal (2427) dari Mongolia; 6. CM Muhammad Luthfi Ali (2246) remis melawan FM Tuan Minh Tran (2399) dari Vietnam; 7. FM Hamdani Rudin (2341)mengalahkan Adelardo Pagente (1906) dari Filipina.


Editor :Liwon Maulana(galipat)

Sumber:Kompas.com

    saco-indonesia.com,     mengapa kau pergi, mengapa kau pergi     di saat

    saco-indonesia.com,

    mengapa kau pergi, mengapa kau pergi

    di saat aku mulai mencintaimu

    berharap engkau jadi kekasih hatiku

    malah kau pergi jauh dari hidupku

     

    menyendiri lagi, menyendiri lagi

    di saat kau tinggalkan diriku pergi

    tak pernah ada yang menghiasi hariku

    di saat aku terbangun dari tidurku

     

    reff:

    aku inginkan dirimu datang dan temui aku

    kan ku katakan padamu aku sangat mencintai dirimu

    aku inginkan dirimu datang dan temui aku

    kan ku katakan padamu aku sangat mencinta

     

    menyendiri lagi, menyendiri lagi

    di saat kau tinggalkan diriku pergi

    tak pernah ada yang menghiasi hariku

    di saat aku terbangun dari tidurku

     

    repeat reff

     

    semoga engkau kan mengerti tentang perasaan ini

    maaf ku telah terbuai akan indahnya cinta (indahnya cinta)

    maaf sungguh ku tak bisa (tak bisa) untuk kembali padamu

    maaf ku telah terbuai akan indahnya cinta

     

    repeat reff

    Editor : dian sukmawati

 

Under Mr. Michelin’s leadership, which ended when he left the company in 2002, the Michelin Group became the world’s biggest tire maker, establishing a big presence in the United States and other major markets overseas.

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

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