umroh juni

Setiap tahunnya biaya naik haji baik haji reguler maupun haji khusus / plus pasti berbeda-beda, Call/Wa. 0851-00-444-682 hal ini dikarenakan adanya perubahan komponen harga untuk kebutuhan pokok naik haji seperti biaya transportasi dan akomodasi termasuk living cost yang dibutuhkan jamaah selama berada di tanah suci sangat fluktuatif. Selain menyediakan paket-paket haji onh plus, umrah dan tour muslim sebagai bentuk layanan yang tersedia, Travel Aida Tourindo Wisata juga berusaha menghadirkan mutowif (pembimbing) ibadah umroh haji yang ahli dan mendalami bidang Fiqih Islam, terutama untuk masalah ibadah umrah dan haji.

Kami berusaha memberikan bimbingan mulai sebelum berangkat, saat pelaksanaan dan setelah ibadah haji dan umroh, ini sebagai bentuk tanggung jawab moral kami kepada jamaah, bahwa ibadah yang dijalani telah sah sesuai petunjuk Allah dan Sunnah Nabi Muhammad SAW. Travel kami juga menggunakan penerbangan yang langsung landing Madinah sehingga jamaah bisa nyaman selama perjalanan umroh bersama kami.

harga umroh plus turki di Bandung Barat

Kasus dugaan dalam suap Kajari Praya yang telah menyangkut bekas petinggi Partai Hati Nurani Rakyat, Bambang W Soeharto terus berlanjut. KPK juga masih harus mengembangkan penyidikan dengan kembali memeriksa Ketua Dewan Kosgoro itu. Bambang yang mengenakan baju batik itu tiba di KPK, Jl Rasuna Said, Jakarta Selatan, sekitar pukul 09.48 pagi WIB. Sebelum masuk ke gedung KPK, Bambang juga tidak memberikan keterangan.

Kasus dugaan dalam suap Kajari Praya yang telah menyangkut bekas petinggi Partai Hati Nurani Rakyat, Bambang W Soeharto terus berlanjut. KPK juga masih harus mengembangkan penyidikan dengan kembali memeriksa Ketua Dewan Kosgoro itu.

Bambang yang mengenakan baju batik itu tiba di KPK, Jl Rasuna Said, Jakarta Selatan, sekitar pukul 09.48 pagi WIB. Sebelum masuk ke gedung KPK, Bambang juga tidak memberikan keterangan.

"Saya belum tahu, tidak tahu," katanya sambil masuk gedung KPK, (Selasa,11/3).

Bambang yang datang bersama pendampingnya ini langsung masuk ke gedung KPK, saat wartawan bertanya kasus yang menyangkut dirinya.

Bambang sebelumnya telah dicegah ke luar negeri atas permintaan dari KPK. Bambang yang telah menjabat sebagai Ketua Dewan Penasihat Hanura dan Ketua Badan Pemenangan Pemilu Hanura itu langsung dicopot dari jabatannya oleh Ketua Umum Hanura Wiranto begitu diduga telah terlibat dalam kasus tersebut.

Bambang juga merupakan bos dari Lucyta Anie Razak, perempuan yang sebelumnya tertangkap bersama Kepala Kejari Praya Subri di Mataram. Perusahaan Lucyta diduga adalah anak perusahaan milik Bambang. Lucyta dituding menyuap Subri terkait pemalsuan dokumen tanah di Lombok Tengah.

saco-indonesia.com, Cara Terbaik Dan Awet Untuk Renovasi Atap Rumah mungkin benar jika rangka baja ringan itu 100% ideal. Tapi,

saco-indonesia.com, Cara Terbaik Dan Awet Untuk Renovasi Atap Rumah mungkin benar jika rangka baja ringan itu 100% ideal. Tapi, asal semuanya syaratnya dapat terpenuhi.

Penggunaan baja ringan sebagai struktur rangka atap rumah saat ini memang sudah mulai banyak digunakan banyak orang dan pengembang perumahan. Tak hanya pengembang kelas menengah ke atas saja , pengembang kelas menengah ke bawah pun juga mulai menggunakan material yang satu ini. Alasan yang paling utama adalah harga kayu yang sudah semakin melambung sementara kualitasnya telah semakin menurun.

Ada faktor lain yang mungkin dapat mempengaruhi hasil akhir nilainya tidak dapat mencapai 100% sempurna. Bahkan dalam kondisi terburuk, rangka baja ringan ini juga gagal berfungsi dan sangat membahayakan penghuni rumah. Lantas hal apa yang dapat menurunkan kualitas pemasangan atap baja ringan.

DUDUKAN RANGKA BERMASALAH

Sedikit banyak dudukan rangka dapat mempengaruhi kinerja atap baja ringan. Jika dudukan miring atau tidak sesuai, kuat tekan baja ringan tidak akan dapat tersalur sempurna dan seimbang. Lambat laun, ini juga akan dapat mempengaruhi kekuatan konstruksi. Jika telah terjadi ketidakseimbangan, kemungkinan ambruk sangat besar.

CARA PEMASANGAN YANG TIDAK BENAR

Karena ini adalah sebuah system rangka, jadi pemasangan juga wajib tepat. Sedikit kesalahan akan dapat membuat system rangka tidak dapat berfungsi. Jika diibaratkan rangka baja ringan ini seperti sapu lidi. Benda juga tak bisa berdiri sendiri. Pemasangan juga harus didukung oleh perkiraan beban dan kualitas bahan yang baik. Pemasangan rangka juga telah memiliki prosentase keberhasilan dan kegagalan yang sangat vital. Jika salah, siap-siap rangka akan ambruk. Tak perduli itu sudah di desain dengan rangka yang benar, dihitung dengan cermat dan dengan menggunakan kualitas bahan yang baik. Tidak akan berguna dengan cara pemasangan yang tidak benar.

YANG MEMASANG BUKAN AHLINYA

Rangka atap baja ringan tidak akan bisa dipasang oleh sembarang orang. Hanya orang yang berpengalaman dan sudah terlatih yang bias melakukannya. Hal ini karena struktur rangka baja ringan telah di asumsikan dan telah dihitung secara 3 dimensi yang menjadi satu kesatuan. Andaikata ada satu saja pemasangan yang tidak tepat akan dapat melemahkan struktur lainnya. Pemasangan juga harus dilakukan oleh orang yang ahli dan telah memiliki sertifikat. Kalau pemasangannya sudah tepat, tidak perlu ada yang di khawatirkan. Rangka akan kuat dalam menopang atap hingga berfungsi maksimal.

KUALITAS MATERIAL RENDAH

Jangan asal cari murah, tapi pakailah rangka baja ringan yang telah berkualitas. Ingat, rangka baja ringan posisinya diatas kepala kita. jadi, jika anda membeli rangka kualitas rendah sama saja anda menantang bahaya. Sangat mudah dalam menentukan baja ringan berkualitas atau tidak.jika anda tak ingin pusing lihat saja merk nya dan konsultasikan dengan desainer rumah anda. Merek-merk dari produsen besar yang telah memiliki nama, tentunya akan lebih dapat diandalkan. Anda juga sebaiknya tidak mencampur beberapa merk, termasuk sampai baut-bautnya.

BEBAN BERLEBIH TANPA RENCANA

Jika anda ingin menaruh beban berat seperti lampu gantung, pemanas air, tendon air, atau apapun yang akan ditaruh dan berhubungan dengan rangka atap, sebaiknya terlebih dahulu direncanakan dari awal. jika tidak, dikhawatirkan tidak dapat menahan beban berat dan dapat mengakibatkan atap ambruk.

KASAR SAAT PEMASANGAN GENTING

Benar jika baja ringan bersifat anti karat. Dengan syarat lapisan anti karatnya tidak hilang. Salah satu yang telah membuat anti karat mengelupas adalah pada saat pemasangan genting, jangan sampai terjadi banyak benturan dan goresan antara genting dengan baja ringan. Karena sedikit banyak akan menghilangkan lapisan anti karatnya hilang. Lambat laun, karat ini juga akan dapat menurunkan kualitas baja ringan.

LOKASI MEMPENGARUHI KUALITAS

Lokasi juga sangat mempengaruhi kualitas baja ringan.orang berada di daerah pegunungan cenderung sedikit masalah jika dibandingkan dengan orang yang memakai baja ringan di daerah pantai. Ini terkait dengan korosi yang disebabkan hawa air laut, jika di asumsikan, baja ringan didaerah pegunungan dapat berumur 20 tahun sedang di daerah pantai hanya bertahan 10 tahun.


Editor : Dian Sukmawati

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

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